In Harmony of Four, Alvi Siren presents an elegant and emotionally resonant portrait of four horses brought together in a tightly unified composition. The work draws inspiration from the equestrian tradition associated with John Frederick Herring Snr, the 19th-century British animal and sporting artist, yet Alvi moves away from formal sporting portraiture toward a softer image of presence, relationship, and balance.

In Harmony of Three, Alvi Siren brings together three horses in a closely unified composition that emphasises connection, balance, and quiet presence. Set against a soft blue-grey background, the horses stand shoulder to shoulder, their heads gently overlapping to form a rhythmic arrangement of colour, line, and form.

In Four Horses Study, Alvi Siren explores the structure, rhythm, and presence of four horses through expressive line and partially resolved form. Set against a pale blue-white ground, the composition brings together four overlapping horse heads whose contours emerge, dissolve, and reappear across the surface, creating a dynamic interplay between drawing and painting.

In Four Horses Study, Alvi Siren explores the structure, rhythm, and presence of four horses through expressive line and partially resolved form. Set against a pale blue-white ground, the composition brings together four overlapping horse heads whose contours emerge, dissolve, and reappear across the surface, creating a dynamic interplay between drawing and painting.

In Horse Forms Study, Alvi Siren explores the horse as a subject of movement, structure, and painterly construction. Four horse heads occupy the canvas in close formation, each appearing at a different stage of development. The composition feels open and process-led, revealing the artist’s search for form through line, colour, and gesture.

In Galloping Echoes Abstract, Alvi Siren captures the power, speed, and fleeting nature of movement through an expressive vision of horses in motion. Three equine forms emerge across the canvas, their bodies overlapping and dissolving into one another as if successive moments of a gallop have been layered into a single image.